I’m very, very peculiar about how romances are written and my usual stance is: Leave it to the Romance-genre writers. There were hints of romance, some of which I was into and some of which I was not. I was fine with the other characters, except Isaac (bleck!), and very much enjoyed the cultural diversity they represented. I actually preferred Desirée (in the female side role?) to Adele. Adele (the MC) struck me as a tad bit vexing and as someone who consistently failed to see what was right in front of her face, sometimes making my “suspension of disbelief” hard to sustain. The characters and the romance put the story more on the 4.5 star-ish side of things. That, combined with the New Orleans setting, was very reminiscent of the CW’s hit show “The Originals”. Excuse me, but they aren’t meant to be cuddly. Arden’s vampires struck me as more “Prince Lestat” than “Edward Cullen”, darker, meaner, and more dangerous. That’s why I owe Alys Arden a debt of gratitude for reminding me that vampire fiction can still be enjoyable, when done correctly. This practice, especially in young adult fiction, had very nearly soured my opinion on vampire literature altogether. I frequently bemoan the (over)use of vampiric characters, specifically vampire boyfriends because I feel that they are often unnecessarily and indiscriminately thrown into a plot (any plot) for cheap thrills. That fact acting as the backbone of this novel is what sets it apart from other vampire fiction. The fille à la cassette (Casket/Casquette Girls) did actually exist and have been the subject of much lore, especially in Louisiana, since the 18th century. This is a fictitious story, based on a real legend. But don’t worry if you haven’t got one, you probably will have by the end of the book! My other favorite aspect of the story was its legendary basis. A working knowledge of the French language would be helpful while enjoying this story. They definitely added a lot to the story’s overall atmosphere and reflected New Orleans’ je ne sais quois most appropriately. I also relished in the numerous French phrases scattered throughout the book. The way she continuously described the city and its layout invited to the reader to mentally walk the streets of La Nouvelle-Orléans with the main character, Adele. I wasn’t at all shocked to find out that Alys Arden grew up in New Orleans because she wrote about the city and its culture(s) with the knowledge and ardor that can only come from an insider. For me, that was the best part about this story.
Certain elements of the story deserve a 4.75 star rating, like the world-building/atmosphere development and the use of culture to enhance the richness of the tale.
4.5 ★ Audiobook⎮ Story-wise, this audiobook ranks somewhere between 4.5 and 4.75 stars.
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